Skip to main content

Life in a time of covid-19 - part 8: constants




Constants - those rooting things that never change. Those things that we depend upon. That ground us firmly in who and where we are. The things that if removed would be replaced by chaos.

When I was thinking about what to write,  I clumsily started to input c-o-n- into my phone and up popped the suggestion 'consonants.'

Consonant - definition: any speech sound that is produced by stopping the air flowing freely through your mouth - 'f', 't', 'z', 'm' ... etc, and also any written letter that is not a vowel.

By substituting the t in constant with the on in consonant my phone unwittingly suggested something that at first glance might appear to be constant but is not. Language evolves and changes - even its letters; its building bricks. Not all of the vowels and consonants we take for granted today are the same as the ones known, for example, by Shakespeare. If we go further back in the history of the English language, to Chaucer, they are different still and almost unrecognisable - paleys (palace); lyche (like); hir (their); and my favourite, sodeynly (suddenly).

In 1476, the many different and coexistent dialects; words borrowed through invasion and trade from multiple languages; a dominance of Latin among scholars, churches and merchants; and no consensus at all, in how to spell, led to a logistical headache for William Caxton, when he brought Gutenberg's printing techniques to England and started his own printing press. Apparently, there was no european type-set available for the commonly used sound made at the beginning of 'the', so Caxton substituted a 'y'. We all recognise 'ye' as 'the' because our villages are filled with 'Ye Olde' bakeries and tea rooms and public houses. But every time we say 'yee' we should of course be saying 'the'!

Another obvious difference in the English of the past was the use of 'f ' where we now use an 's' in the middle of words, as in perfon and eafily and Shakefpeare. Look at the first three lines of the original folio for 'The Tragedie of Hamlet Prince of Denmarke' - it's very different (... centuries different) from our modern use of consonants -

                                        Bar.    Whofe there?
Fran.  Nay anfwere me. Stand and vnfolde yourfelfe.  
                                        Bar.    Long liue the King.

... note the f for s; e at the end of words where we no longer need an e; and a muddle of u and v substitutions. Memorably, the f and s switch is still seen in some old Bibles and led Alice Tinker, of Vicar of Dibley fame, to stumble through a reading, 'Ye are the falt of the earth and fainted. God shall feal your endeavours until ye fit on his right hand. Therefore fight the good fight, for his ... fake, and he shall be thy fu...' (succour!)

I said at the beginning that constants are those things that if removed would be replaced by chaos -

I'm about to contradict myself. Forget what I said about language evolving and not being constant and instead, think of the building bricks we use today. Could we manage without them? What would happen if they were removed?

Take vowels first -

'wth th vwls mssng t's nt hrd t mke sns nd smtms t frcs y t lk hrdr t th wrds' (= with the vowels missing it's not hard to make sense and sometimes it forces you to look harder at the words)

So, when the vowels are dropped, there is no descent into complete linguistic chaos.
But what happens when the consonants are removed -

: 'i'_  _o_e  _ou  _e__ _ui____' (I'd lose you very quickly).

I have somehow managed to argue that the place of consonants in language is both inconstant and constant. A circuitous procrasti-ramble triggered by a simple texting mistake on my phone. But one that nudged me into a very pleasant hour reading Chaucer and discovering that Shakespeare or Shakespere or Shakespear or Shakspere or Shake-speare couldn't spell.

Back briefly to constants and specifically, sunrises

- on Saturday




on Sunday




and today




See @herbiecax on Instagram for their accompanying quotes. But this quote - from Louis MacNeice -applies to all sunrises

The sunlight on the garden
Hardens and glows cold
We cannot cage the minute
Within its net of gold


We cannot cage the minute but we can witness sunlight every day. The sun is the recurring constant; the big one. It and the moon never change.
If we ground ourselves in this - pause for a moment; breathe - if we anchor ourselves on the constants, like the sun that will always rise, the world no longer appears so out of control.
All the constants have not been removed and what looks like chaos, is not.


Tonight, in the chilly air and evening sunlight, I waited with these friends for the moon ... all they wanted was the bread in my hand




... but, it was worth it, and 'I saw the whole of the moon'









Comments

Popular posts from this blog

Colour, Delacroix, flochetage and why don't we all have a go at inventing words

Yes - it is a real word. Flochetage. Well, a real-ish word. One invented by the painter Delacroix, when he found the dictionary cupboard bare and required a word to describe his technique of layering different coloured paints, using lightly pulled brush strokes to create texture and pattern and thereby enhance his base-layer colours (... lost? - stick around, read on and all will become clear. Or perhaps muddier ...). Flochetage implies both stringiness and threadiness. Apparently. And it sounds good - in a filling-the-mouth-with-sound sort of a way. Try it ... flochetaaaage. Not that I speak French. So I am probably mis-pronouncing it. Nor am I an artist. So what do I know about painting techniques - except that I think this one works. What I do like is the concept - you invent a new technique in whatever it is you do, hunt around for the vocabulary to describe it, find the dictionary is lacking, so make up a word of your own and announce to the world what it means. Delacroix isn&#

My beloved boy, how lucky I have been

It's an odd thing that when we are waiting for someone to die ... and I say someone here even though the one in question was a dog - but to us he had character and a place forever in our hearts and was more of a familiar someone than some of the people in our lives. So, I'll start again - it's an odd thing that when we are waiting for someone to die, our senses go into overdrive. We notice things that normally would be part of the background of our every day. We breathe more - or rather, we don't but what we do is notice our breathing more, as we watch his. We pause. We think. We listen to ourselves and our inner voices speak. Memories flood our dreams ... though sleep is fitful.  Why am I telling you this? ... ... we lost this beautiful boy today And in the hours before he went, I saw perfect spheres of dew on blades of grass - little orbs holding micro-images of our world; a bumble bee drunk on nectar, yellow-dusted with pollen, resting in a crocus; ten - yes, ten!

Confetti for the brain. A little bit of history regarding a use for holes and a couple of quotes.

Confetti - noun: small pieces of coloured paper thrown over a bride and groom following their marriage ceremony. Also the bane of church yards and wedding venues - who wants to exit church after their favourite spinster aunt's funeral and slip on the papier mâché mush of last weekend's weddings, or step, in your wedding gown, onto a pink spattered step when your colour theme is lilac? Confetti - derived from the Latin confectum, meaning something prepared. Which suggests that there is something missing from the traditional wedding rhyme 'something old, something new, something borrowed, something blue ... something prepared.' How about something shared ... declared ... or ensnared?? Nature's confetti is all over the ground at this time of year - The garden, footpaths, and pavements are covered in blossom snow. And, when he falls asleep beneath the apple tree, it speckles Four-legged-friend's black coat. The confetti we know today - bits of b