Skip to main content

Floodier and floodier. And a dog that can fly.

I do love Winnie-the-Pooh. Even (although, I hate the gopher) the 1968 Disney version of The Blustery Day, in which The Hundred Acre Wood becomes "floodier and floodier" and the Sherman brothers wrote 'The rain rain rain came down down down' to accompany Piglet's predicament, in which, as AA Milne originally wrote, he - Piglet - "is entirely surrounded by water." Piglet endearingly says to himself "It's a little Anxious to be a Very Small Animal Entirely Surrounded by Water." Pooh meantime escapes onto a broad branch of his tree with ten pots of honey. And sits, dangling his legs, until all the honey is gone.

Disney or book, the story has an innocent beauty and a happy ending. It lingers in memories of childhood and later, of sitting with a sleepy child curled up on your lap, sharing something that made you both smile.

However, I share Piglet's anxiety and don't love real floods. Particularly, when there are no upturned honey-jar boats on which to reach dry land, or sulky donkeys to conveniently fall in and splash you out of the water.

North, East and West our routes of departure from home were blocked by flooded roads on Friday morning and lakes where never there had been lakes before. We witnessed a stately flotilla of four happy geese sailing past the front door of a pink house that was standing in a vast puddle of rippling water flowing gently in a Southerly direction. Southerly was our only direction of escape, which was fortunate as school is South of us. However, we did have to travel north a couple of times in order to find better drained roads. I clearly caused a certain amount of wrath (judging by the obscene hand signals) from an ungentlemanly chap in an executive car who tail-gated me along an extremely wet and narrowly sinuous country road and in exasperation overtook me, roaring through the deep flood ahead, creating an I'm-bigger-then-you, inconsiderate, speed-boat-on-unspoilt-previously-tranquil-lake like wash and a bow wave that I so very much hoped would flood his engine. His consternation having disappeared round a flooded corner, I reversed my Small and Considerably Cheaper Car (I've taken a liking to Piglet's use of capitals) round several bends until I found a straight section of road wide enough in which to turn (hair raising, hair pin heroics of the I-don't-want-to-drown-my-car kind!) Driving the same drier road later, I was extremely disappointed not to see a large white car among the many others that had evidently failed at entry level of the trying-to-be-an-aquatic-vehicle test.

Dogs, unlike cars, do like water.

On the same floodier and floodier day, Bertie Baggins  paddled




decided not to swim in the gushing brown torrent that had replaced our normally gently trickling stream




tried to fly




and after the walk/paddle (and flight) dreamed happy dreams





Comments

Popular posts from this blog

Colour, Delacroix, flochetage and why don't we all have a go at inventing words

Yes - it is a real word. Flochetage. Well, a real-ish word. One invented by the painter Delacroix, when he found the dictionary cupboard bare and required a word to describe his technique of layering different coloured paints, using lightly pulled brush strokes to create texture and pattern and thereby enhance his base-layer colours (... lost? - stick around, read on and all will become clear. Or perhaps muddier ...). Flochetage implies both stringiness and threadiness. Apparently. And it sounds good - in a filling-the-mouth-with-sound sort of a way. Try it ... flochetaaaage. Not that I speak French. So I am probably mis-pronouncing it. Nor am I an artist. So what do I know about painting techniques - except that I think this one works. What I do like is the concept - you invent a new technique in whatever it is you do, hunt around for the vocabulary to describe it, find the dictionary is lacking, so make up a word of your own and announce to the world what it means. Delacroix isn&#

My beloved boy, how lucky I have been

It's an odd thing that when we are waiting for someone to die ... and I say someone here even though the one in question was a dog - but to us he had character and a place forever in our hearts and was more of a familiar someone than some of the people in our lives. So, I'll start again - it's an odd thing that when we are waiting for someone to die, our senses go into overdrive. We notice things that normally would be part of the background of our every day. We breathe more - or rather, we don't but what we do is notice our breathing more, as we watch his. We pause. We think. We listen to ourselves and our inner voices speak. Memories flood our dreams ... though sleep is fitful.  Why am I telling you this? ... ... we lost this beautiful boy today And in the hours before he went, I saw perfect spheres of dew on blades of grass - little orbs holding micro-images of our world; a bumble bee drunk on nectar, yellow-dusted with pollen, resting in a crocus; ten - yes, ten!

Curlews, summer skies and walking in circles.

Summer skies over the Yorkshire Dales and my mind is set to rest mode. But that rest is not totally restful; there is a niggle ... a memory, a hint of childhood, something that unsettles slightly - a light brush stroke of discomfort; a gossamer breath of discombobulation and a 'Woah! Wait a moment!' moment of 'that's-not-right!' - we're about as far from the sea as it is possible to be in middle Britain and yet, I can hear the distinctive Peep! Peep! of oystercatchers and the piercing cry of curlew. Here -  in the blue skies of the North Yorkshire dales and along the footpaths - and above the endless miles of drystone walls are birds that should be at the coast.  Oystercatchers, with their distinctive red pliers attached to their heads feed on - you've guessed it - oyster beds. All along the coastline of the British Isles, their distinctive cry is the call of summer. Drowned out somewhat by the banter of seagulls but sharp and