Skip to main content

Piles and piles and strange humans

She's at it again! Mum's moving piles of stuff around; but this time, she's doing it inside - so, unlike yesterday, in the garden, she's probably not building bunny accommodation.

Now, I have been observing my human family for some time, and while there are, admittedly, certain aspects of my life that could quite honestly be described as a little repetitive - eat, sleep, eat, sniff out rabbits, eat, sleep, stroll about a bit, eat ... you get the picture - they are not a patch on the elaborate activities that happen here in the human world again and again and again. Like the endless pile shifting -

It starts with a basket (a satisfyingly crunchy, wicker one that I used to chew, but don't now that I'm all grown up) that gets filled, every day, with a pile of that colourful, movable outer skin that humans habitually wear (I guess they have no choice as their fur is so pathetic). When the pile builds up to mountainous proportions and threatens to topple the basket (which it does at unpredictable moments, often landing on top of me, because I'm usually lying at Mum's feet, keeping her company and trying to help - she calls it "unhelping" which I think is a little unkind, as I am only doing my best. And nudging the basket to make it empty itself sort of does the job for her) - well, then, she puts the "dirty" washing into a noisy box. I say "dirty washing" because that's what she calls it, although humans clearly need a lesson or two in what is dirty and what is not: the pile might be a bit niffy round the edges, but is never properly, roll-around-in-a-muddy-ditch dirty.

Later, Mum empties the "washing machine" and builds a wet pile, which gets put into a noisier box, that turns it into a dry pile.

Mum then spends ages flattening the dry pile and folding it into lots of little piles. This flattening process is long and very dangerous. It must be, because when I lie on Mum's feet under the flattening board, she stiffens and grips the heavy, hot thing firmly, before telling me to move. Which I do. I go and lie on one of the new, soft, warm and cushiony piles she has just made and stay there until she notices. Then I'm sent outside.

What a lot of fuss and bother and endless washing, drying and flattening. And such an obsession with moving piles of stuff around. Me, I have a cage to sleep in (carpeted, no piles), a garden (rabbit house piles, but none of my own making) and a run ... ah ... I do own a pile, actually! It's quite a comfortable pile (which I share with about five thousand, four hundred and seventy six earwigs at the moment); lots of old blankets, all piled up into a smelly, dirty, doggy (and earwiggy) nest. At least I don't move it around all the time - I just toss it and worry it a bit.

Now there's an idea: what would happen if I worried some of Mum's piles?



Comments

Popular posts from this blog

Colour, Delacroix, flochetage and why don't we all have a go at inventing words

Yes - it is a real word. Flochetage. Well, a real-ish word. One invented by the painter Delacroix, when he found the dictionary cupboard bare and required a word to describe his technique of layering different coloured paints, using lightly pulled brush strokes to create texture and pattern and thereby enhance his base-layer colours (... lost? - stick around, read on and all will become clear. Or perhaps muddier ...). Flochetage implies both stringiness and threadiness. Apparently. And it sounds good - in a filling-the-mouth-with-sound sort of a way. Try it ... flochetaaaage. Not that I speak French. So I am probably mis-pronouncing it. Nor am I an artist. So what do I know about painting techniques - except that I think this one works. What I do like is the concept - you invent a new technique in whatever it is you do, hunt around for the vocabulary to describe it, find the dictionary is lacking, so make up a word of your own and announce to the world what it means. Delacroix isn&#

Curlews, summer skies and walking in circles.

Summer skies over the Yorkshire Dales and my mind is set to rest mode. But that rest is not totally restful; there is a niggle ... a memory, a hint of childhood, something that unsettles slightly - a light brush stroke of discomfort; a gossamer breath of discombobulation and a 'Woah! Wait a moment!' moment of 'that's-not-right!' - we're about as far from the sea as it is possible to be in middle Britain and yet, I can hear the distinctive Peep! Peep! of oystercatchers and the piercing cry of curlew. Here -  in the blue skies of the North Yorkshire dales and along the footpaths - and above the endless miles of drystone walls are birds that should be at the coast.  Oystercatchers, with their distinctive red pliers attached to their heads feed on - you've guessed it - oyster beds. All along the coastline of the British Isles, their distinctive cry is the call of summer. Drowned out somewhat by the banter of seagulls but sharp and

My beloved boy, how lucky I have been

It's an odd thing that when we are waiting for someone to die ... and I say someone here even though the one in question was a dog - but to us he had character and a place forever in our hearts and was more of a familiar someone than some of the people in our lives. So, I'll start again - it's an odd thing that when we are waiting for someone to die, our senses go into overdrive. We notice things that normally would be part of the background of our every day. We breathe more - or rather, we don't but what we do is notice our breathing more, as we watch his. We pause. We think. We listen to ourselves and our inner voices speak. Memories flood our dreams ... though sleep is fitful.  Why am I telling you this? ... ... we lost this beautiful boy today And in the hours before he went, I saw perfect spheres of dew on blades of grass - little orbs holding micro-images of our world; a bumble bee drunk on nectar, yellow-dusted with pollen, resting in a crocus; ten - yes, ten!